1959 was a good Callas year. In January that year she first sang at Carnegie Hall, where she gave a concert performance of Il Pirata. It was a great triumph. This was followed by a few Medea’s(Cherubini) in London and a short tour in Spain and Germany.
And then the great moment arrived: her long-awaited performance in Amsterdam. Thousands of people gathered at Schiphol Airport to greet her.
The lights in the Hall were extinguished and all the spotlights were on her as she descended the Concertgebouw steps. Only the musicians of the Concertgebouw Orchestra had lights on their desks, which, according to witnesses, had wrapped the stage in a romantic atmosphere.
Callas was then technically at the height of her powers. She began with a tather cautiously sung ‘Tu che vedi il mio tormento’ from Spontini’s La vestale, but with ‘Surta è la notte’ from Verdi’s Ernani she already let go of all brakes.
The audience went wild with enthusiasm, which stimulated Callas to become even more intense and dramatic in her perfectly intoned reading of ‘Tu che le vanità ‘ (Don Carlo). She finished with the mad scene from Il Pirata, a true tour-de-force.
She gave every note a different colour, her pianissimo was breathtaking and the coloraturas optimal. A true Divina. If only I had been there then!
Spontini, Verdi, Bellini Live in Amsterdam 1959 Maria Callas, Concertgebouw Orchestra conducted by Nicola Rescigno EMI 5626832
Basiu, you write: “And then the great moment arrived: her long-awaited performance in Amsterdam. Thousands of people gathered at Schiphol Airport to greet her.” The year was 1959. Do you think it is possible in 2022 for any, even the most renowned opera singers, attract thousands of fans to the airport to greet their arrival?
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I dont know.
Maybe Domingo? But not anymore am afraid