TEXT: PETER FRANKEN Leoncavallo is often seen as a one-day-wonder: after his opera debut with I Pagliacci, he did not achieve any lasting success. And because of the content of that one-acter, Leoncavallo is of course easily dismissed as a verismo composer. In his La Bohème from 1897, there is still some verismo, but Zazà, … Meer lezen over Petit bourgeois verismo recognisably displayed in Zazà
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